Audran : Gillette de Narbonne, Radio Lyrique, 1957 (Audio)
Director: Pierre Tellier
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Edmond Audran(1842- 1901).Gillette de Narbonne: opera comica en 3 actos.
Text:Henri Chivot y Alfred Duru
Estreno: Paris, Bouffes-Parisiens, 11. November 1882
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Achille Edmond Audran (1840-1901) was a French composer best known for several internationally successful operettas, including Les noces d'Olivette (1879), La mascotte (1880), Gillette de Narbonne (1882), La cigale et la fourmi (1886), Miss Helyett (1890), and La poupée (1896).
After Audran's initial success in Paris, his works also became a regular feature in the West End of London, in adaptations that Audran supervised. Most of his works are now neglected, but La mascotte has been revived occasionally and has been recorded for the gramophone.
Audran was born in Lyon, the son of Marius-Pierre Audran , who had a career as a tenor at the Opéra-Comique. He studied music at the École Niedermeyer under Jules-Laurent Duprato, where he won the prize for composition in 1859.
In 1861 his family moved to Marseille, where his father accepted the post of singing teacher, later becoming director of the conservatory.
Audran became organist of the church of St Joseph there, for which he wrote religious music including, in 1873, a mass that was also performed in Paris at St Eustache.
He made his first appearance as a dramatic composer at Marseilles with L'Ours et le Pacha (1862), a musical version of one of Eugène Scribe's vaudevilles. This was followed by La Chercheuse d'Esprit (1864), a comic opera, also produced at Marseille.
Audran's compositions included a funeral march on the death of Giacomo Meyerbeer, which was performed with some success; some songs in the Provençal dialect, including La cour d'amour (Marseilles, 1881), and various sacred pieces.
He produced a Mass (Marseille, 1873), an oratorio, La sulamite (Marseille, 1876), Adoro te, a motet (Paris, 1882) and numerous minor works, but he is known almost entirely as a composer of light opera.
While still in Marseilles, Audran wrote a half dozen operettas, the most successful of which was Le grand mogol (1877), with a libretto by Henri Chivot and Alfred Duru. He revised this for a Paris production in 1884.
He moved to Paris in 1879, "where at first he occupied a humble lodging in a garret", but he was soon prosperous, with the success of Les noces d'Olivette (1879), which had "an enormous vogue". The work speedily found its way to London (as Olivette), in an English translation by H. B. Farnie, and ran for more than a year at the Strand Theatre (1880–81).
After Audran moved to Paris, most of his stage works were premiered there before being presented abroad, but four of his works were premiered elsewhere: La paradis de Mahomet (Brussels, 1887), Photis (Geneva, 1896), Indiana (Manchester, 1886) and La reine des reines ( Strasbourg, 1896). In Paris, the success of La mascotte (1880) was so great that the intendant of the Bouffes-Parisiens and Audran entered into a five-year contract under which Audran would compose for no other Paris theatre.
He worked with a large number of librettists, but his most frequent collaborators were Maxime Boucheron, Chivot, Duru and Maurice Ordonneau. Of one of his collaborations, a critic wrote, "I might dispose of the new three-act comic opera brought out at the Bouffes-Parisiens by simply stating that its title is Pervenche, that its libretto is by MM. Chivot and Duru, its score by M. Edmond Audran, and that both authors and composer have adhered so closely to their well-known style as to necessitate no further call on your space."
Audran's music met with as much favour in England as in France, and all but a few of his works were given in English adaptations in London theatres. The most successful of Audran's many comic operas were: Le grand mogol (Marseille, 1877; Paris, 1884; London, as The Grand Mogul, 1884 with a libretto by Farnie, starring Florence St. John, Fred Leslie and Arthur Roberts; New York as The Snake Charmer, 1881); La mascotte (Paris, 1880; New York, 1881; London, as The Mascotte, 1881 with a libretto by Farnie, and cast including Lionel Brough and Henry Bracy); Gillette de Narbonne (Paris, 1882; London, as Gillette, 1883, libretto by Savile Clarke, with additional music by Walter Slaughter and Hamilton Clarke); La cigale et la fourmi (the grasshopper and the ant) (Paris, 1886; London, as La Cigale, 1890; English version by F. C. Burnand, starring Geraldine Ulmar, Eric Lewis and Brough); Miss Helyett (Paris, 1890; London, as Miss Decima, 1891, libretto by Burnand); and La poupée (Paris, 1896; London, 1897, libretto by Arthur Sturgess, starring Courtice Pounds and Willie Edouin).
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