Gounod : FaustoNew York, Met, 1972 (Audio)
Director: Roberto Benzi
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Born Colette Giroux, in Montreal, Quebec, she studied voice at the École de musique Vincent-d'Indy from 1953 to 1955, and then privately with Laurette Bailly. After winning a voice competition in 1958, she entered the Conservatoire de musique du Québec à Montréal, where she was a pupil of Roy Royal and Otto-Werner Mueller. In 1961, she made her stage debut with the "Théâtre lyrique de Nouvelle-France", as Rosina in Il barbiere di Siviglia. With the same company she sang Lakmé, the following year.
After winning the 1962 Prix d'Europe, she went to Paris to continue her studies with Janine Micheau and Raoul Jobin. She then won a second prize at the Geneva International Competition for musical performers, which led to her European debut in 1964, in Haydn's Lo speziale in Versailles.
She was invited at the Bremen Opera for the 1964-65 season, where she sang Despina in Cosi fan tutte, and Stravinski's Le Rossignol. In 1965, she made her debut at the Salzburg Festival as Sandrina in Mozart's La finta giardiniera, followed by the lead soprano role in Rossini's La scala di seta at the Munich Festival.
In 1966, Boky began an association with the Vienna Volksoper, where she sang several roles. She also appeared with the Vienna Philharmonic Orchestra in Carmina Burana (Orff), and The Creation (Haydn), under Karl Richter.
Boky's career became truly international in 1967, with her Metropolitan Opera debut as The Queen of The Night in The Magic Flute. She was to remain at the Met until 1979, singing some 25 leading roles there, such as Juliette, Marguerite, Pamina, Adina, Lucia, Gilda, Violetta, the four heroines of Les contes d'Hoffmann, Sophie in Der Rosenkavalier, etc. She also appeared in several US opera houses in Hartford, Miami, New Orleans, Philadelphia, San Francisco.
She was also active as a recitalist, particularly of French songs and Lieder, in which she excelled.
Boky began teaching at L'Université du Québec in 1981, and was artistic director of the opera studio there. She was awarded with the Calixa-Lavallée Award in 1971, and the Prix Denise Pelletier in 198