TodOpera:Musica y mas Musica

TodOpera : Música y Mas Música!

TodOpera no sube ni baja música. Lo que hace es señalar links de donde obtenerla.
Diariamente se agregan nuevos links que ustedes podrán hallar en estas hojas.
Que lo disfruten!

INDICE ALFABÉTICO DE MUSICA INSTRUMENTAL:AQUI

INDICE ALFABÉTICO DE MUSICA LIRICA:AQUI

Al pie de cada una de estas hojas están los números de todas las páginas que contienen todos los links subidos hasta el momento. Sugerimos también utilizar el índice alfabético (se actualiza cada 2 dias).

Para comentarios, aportes o preguntas escribir a [email protected]

Página1143

Dos aportes handelianos de Ricardo Román :

Haendel:Israel in Egypt. 1970. Leeds Triennial Musical Festival..Heather Harper .Patricia Clark.Paul Esswood (contrate).Alexander Young (ten). Michael Rippon . Christopher Keyte (bajo). English Chamber Orch.Dir.:Charles Mackerras
http://www.mediafire.com/?47x5ztd50fy5wek
http://www.mediafire.com/?jvps884pl28hknr

Israel in Egypt (HWV 54) is a biblical oratorio by the composer George Frideric Handel. Many historians believe the libretto was compiled by Handel's collaborator Charles Jennens, and it is composed entirely of selected passages from the Hebrew Bible, mainly from Exodus and the Psalms.

Israel in Egypt premiered at London's King's Theatre in the Haymarket on April 4, 1739. Handel started it soon after the opera season at King's theatre was cancelled because of a lack of subscribers. The oratorio was not well received by audiences, although commended in the Daily Post, and the second performance was shortened, the mainly choral work now augmented with Italian arias.

An early version of the piece is in three parts rather than the later two; incorporating the first part more famous as "The ways of Zion do Mourn", with altered text as "The Sons of Israel do Mourn" lamenting the death of Joseph. This section precedes the Exodus which in the tripartite version is Part II rather than Part I. This variant has been recorded by Andrew Parrott, Stephen Cleobury, Peter Dijkstra and Anthony Bramall.

Haendel. Saul.1972. Leeds Triennial Musical Festival.Donald McIntyre (bajo). Ryland Davies (ten). James B owman (contraten). Margaret Price (sopr). Sheila Armstrong (sopr). John Winfield (ten). Stafford Dean (bajo). English Chamber Orchestra. Dir. Charles Mackerras
http://www.mediafire.com/?2t30sohs7101ui9
http://www.mediafire.com/?b33hjl3hfbap0rh
http://www.mediafire.com/?6y46u5bt65at6b7

Aporte de Roberto:
Adam Adolphe: Le Chalet. 1965 Boursin. Peyron. Staskiewicz. Orch. ORTF Dir.: Wolf 1965 . Le Farfadet. 1970.Capderou. Dachary. Peyron. Plantey. Demigny . Orch. ORTF Dir.:Benedetti http://www.mediafire.com/?8ncu3dq3jgpdd3f

Le chalet is an opéra-comique in one act by Adolphe Adam to a French libretto by Eugène Scribe and Mélésville (A-H J Duveyrier) after the singspiel Jery und Bätely by Goethe. The score re-uses material from Adam's Prix de Rome cantata Ariane a Naxos (1825).The text for the singspiel had previously been set to music by Winter, 1790, and Kreutzer, 1810, and later by Donizetti, 1836 and Rietz, 1840.

The scene is the inside of a chalet, open at the rear with a view of the countryside, and in the distance the mountains of Appenzell in Switzerland.

After a chorus of young villagers, a young farmer, Daniel, "the handsomest young man of Appenzell" enters and sings of his love for Bettly. The villagers sing of his misguided love, but in his joy he invites all to a wedding supper that evening.

Daniel reads a letter from Bettly which she has written to him, returning his love; Bettly enters and tells of her brother Max who has been absent fighting for fifteen years. It soon becomes clear that Bettly did not write the letter to Daniel (she cannot write) and she mocks him for being taken in by a joke of her friends. Daniel is furious, having made all the preparations for a marriage including a contract, but Bettly flatly refuses, saying she doesn’t need a husband. In his letter to Bettly, Max urges her to marry – and Daniel confesses that he has asked Max to intervene on his behalf.

Daniel hears troops approaching and asks them into the chalet; Max sings of his happiness of being back in his valley "Vallons de l'Helvétie". Daniel tells Max (whom he doesn't recognise) of his woes and asks to enlist in the army.

Bettly enters and Max and his men demand food and wine. Max conceals his identity from his sister, and leads her to believe that she will be at the mercy of the whole regiment for two weeks. Daniel re-enters with an old sword, ready to become a soldier, and from all his papers gives Bettly his will to keep; in a duo she asks him to stay while the soldiers are at the chalet; he agrees and curls up to sleep in a chair.

Max comes in pretending to be a bit drunk and Bettly cries for help. Daniel wakes and after an argument Max challenges him to a duel. As Daniel insists to her that he is prepared for his army life, Bettly, impressed by Daniel's willingness to fight for her honour, tries to prevent the duel, goes to his bags and finds the marriage certificate which she quickly signs. She whispers to Daniel that this is just a ruse; without her brother's signature it will not legal, but Max has crept up and signed the contract, saying that he has tricked them both to force them to be happy together.

Donizetti. El Elixir de Amor. 1984. Torino.Adina - Katia Ricciarelli . Nemorino - Jose Carreras . Dulcamara - Domenico Trimarchi . Belcore - Leo Nucci .Giannetta - Susanna Rigacci . Dir.: Claudio Scimone
http://www.mediafire.com/?uq26nrcys5slbgi

A.Previn. Honey and rue. 1993. Ravinia. Kathleen Battle. Chicago. Dir. John Nelson.

Back at the beginning of the 1990s, with some help from Carnegie Hall, soprano Kathleen Battle commissioned André Previn and Toni Morrison to write a song cycle for her. The result was a set of six songs called Honey and Rue, referring to "the bitter and the sweet" that comes with life and love and is part of the African American experience. One of the songs, the last to be composed, is unaccompanied. The remaining five are scored for chamber orchestra and showcase Previn's chameleon-like abilities as an arranger--here capturing echoes of such European masters as Mahler and Berg, there a hint of Americana in the Copland-Bernstein vein, and elsewhere the engaging verve of jazz and the blues.

Eileen Farrel. Recital de Blues.. Video.
https://rapidshare. com/files/ 2794959602/ cbs_FARRELL_ blues.zip

Este blog hace referencia a terceras páginas. En ningún caso, este blog pretende almacenar contenidos ni herir intereses como derechos de autor. Si dichas páginas no tienen autorización para distribuir ese contenido puede serles comunicado directamente y la desaparición de dichos vídeos o imágenes será propagada a toda la red, desapareciendo también de esta pagina web. Este blog no se responsabiliza de los contenidos de cualquier tipo servidos por terceros ni de las opiniones vertidas en esta página por terceros