NUEVO!!. CAPITULO DE MUSICA DE CAMARA IR AQUI

Al pie de cada una de estas hojas están los números de todas las páginas que contienen todos los links subidos hasta el momento. Sugerimos también utilizar el índice alfabético (se actualiza cada 2 dias).

 

 

 

Puccini. Tosca.  Dallas. 1996.Maria Guleghina. Franco Farina. Sergei Leiferkus.

 

Donizetti.Duca d'Alba. Louis Quilico. Vladimiro Ganzarolli. Enzo Tei. Renato Cioni.  Franco Ventriglia. Ivana Tosini. Trieste. 1959. Dir.: Thomas Schippers.

Mascagni. Cavalleria Rusticana. Fragmentos. Fritz Wunderlich (en aleman).

Verdi. Don Carlo. Ragnar Ulfing. Marie Collier. Grace Bumbry. Boris Christoff. Tito Gobbi. Nicola Zaccaria. Royal Opera House. Abril 1963. Dir: John Pritchard.

 

Donizetti . Pia de' Tolomei. Walter Alberti. Iolanda Meneguzzer. Florindo Andreolli. Franco Ventriglia. Barbara Testa. Bologna. 1967. Dir Bruno Rigacci. PARTE 1, PARTE 2. Password AQUI

Pia de' Tolomei is a tragedia lirica, or tragic opera, in two acts by Gaetano Donizetti. Salvadore Cammarano wrote the Italian libretto after Bartolomeo Sestini's novella, in its turn after Dante's narrative poem The Divine Comedy part 2: Purgatorio. It premiered on 18 February 1837 at the Teatro Apollo in Venice.

 

Vivaldi. Orlando Furioso. Roma. Octubre 2008 Romina Basso . Manuela Custer .Sylva Pozzer.Anna Rita Gemmabella.Jordi Domenech .Venice Baroque Orchestra. Dir: Andrea Marcon. PARTE 1, PARTE 2, PARTE 3. Unir con HJSplit.

 

Haendel. Giulio Cesare. Amsterdam. Febrero 2008. Lawrence Zazzo. Rosemary Joshua. Christianne Stotijn. Anna Bonitatibus. Tania Kross.Freiburger Barockorchester. Dir. Rene Jacobs. PARTE 1, PARTE 2, PARTE 3, PARTE 4, PARTE 5

Giulio Cesare in Egitto (Julius Caesar in Egypt, HWV 17), commonly known simply as Giulio Cesare, is an Italian opera in three acts written for the Royal Academy of Music by George Frideric Handel in 1724. The libretto was written by Nicola Francesco Haym.

It was first performed in London on 20 February 1724. The opera was an immediate success. Handel revived it (with changes) in 1725, 1730, and 1732; it was also performed in Paris, Hamburg, and Brunswick. Like Handel's other works in the opera seria genre, Giulio Cesare fell into obscurity in the 19th century.

The roles of Cesare and Cleopatra, sung by the castrato Senesino and famous soprano Francesca Cuzzoni respectively, and which encompass eight arias and two recitatives accompagnati each, totally dispose of the vocal capabilities of the singers. Cornelia and Sesto are more static because they are completely taken by their primary emotions, she with pain because of her husband's death and constantly constrained to defend herself from Achilla and Tolomeo, and he consumed by vengeance for his father's death.

Cleopatra is a multifaceted character: she uses at first her womanly wiles to seduce Cesare and gain the throne of Egypt, and then becomes totally engaged in the love affair with Cesare. She has great arias of immense dramatic intensity Se pietà di me non senti (II, 8) and Piangerò la sorte mia (III, 3). Sensual character is described magnificently in the aria V'adoro, pupille, in which Cleopatra, in the guise of Lidia, appears to Cesare surrounded by the Muses of Parnassus (II, 2). This number calls for two orchestras: one is an ensemble scene with strings with sordino, oboe, tiorba, harp, bassoons and viola da gamba concertante.

In the 20th century, it was revived (in heavily altered form - reorchestrated and revamped with the male castrato roles transposed down for a baritone, tenor or bass) in Göttingen in 1922 by the Handel enthusiast Oskar Hagen. Hans Knappertsbusch and Karl Böhm both conducted it in Munich in 1923 and its first American performance took place at the Smith College of Music in Northampton, Massachusetts, in 1927. The first British revival of a Handel opera was the staging of Giulio Cesare at the Scala Theatre in London in 1930, by the London Festival Opera Company, singing in English. The young Herbert von Karajan conducted a production in Ulm in 1933. In modern times, it has proven to be by far the most popular of Handel's operas, with more than two hundred productions in many countries. The title role and the roles Ptolemy and Nirenus were written for castrati, and in modern productions, Giulio is either transposed for baritone or sung by a contralto, mezzo-soprano, or, more frequently in recent years, a countertenor. The characters of both Nirenus and Ptolemy are sung by countertenors.

The work is considered by many to be Handel's finest Italian opera, possibly even the best in the history of opera seria. It is admired for its superb vocal writing, its dramatic impact, and its deft orchestral arrangements.

 

Schoek. Penthesilea. Dernesch, Marsh, Gessendorf, Lipovsek, Sima, Theo Adam. ORF. Gerd Albrech. 1982.Un aporte de Adriana Mooney. LINK. Para leer sobre el autor y la obra ir AQUI

Penthesilea is a one-act opera by Othmar Schoeck, to a German-language libretto by the composer, after the work of the same name by Heinrich von Kleist. It was first performed at the Staatsoper in Dresden, Germany on 8 January 1927.

The story is about the tragic love of Penthesilea, Queen of the Amazons, and Achilles.

Achilles has defeated the Amazon queen Penthesilea in battle. However, he falls in love with her. After Penthesilea has recovered, Achilles allows her to think that she defeated him, because Amazon law stipulates a warrior may only associate with a man whom she has defeated. Under this idea, Penthesilea returns the affections of Achilles. However, she finally does learn the truth, that in fact he defeated her in battle, and her love for him becomes hatred. Achilles then offers a second challenge to her, but he plans to come unarmed and to let her win. In her anger, she takes up the challenge, and in the duel, she savagely kills him.

 

Jessye Norman. Concierto de Navidad en Notre Dame. LINK

 

Puccini. Manon Lescaut. Renata Tebaldi. Mario del Monaco. Mario Borriello. Fernando Corena. Orq.:Santa Cecilia. Dir. Francesco Molinari Pradelli.LINK

 

Leoncavallo. Pagliacci. Karajan. (5ta. versión en TodOpera!). Bergonzi, Carlyle, Taddei. Benelli. Panerai.La Scala. LINK

 

Cavalli. La Calisto. Maria Bayo. Marcello Lippi, Simon Keenlyside, Graham PUshee. Alessandra Mantovani. Concerto Vocale. René Jacobs - 1994 .

 

Francis Poulenc. La voix humaine. Magda Olivero. Nicola Rescigno. LINK

La voix humaine is a one-act opera for one character, with music by Francis Poulenc to a libretto by Jean Cocteau, based on his 1932 play. La voix humaine was first performed at the Opéra-Comique, Salle Favart in Paris on 6 February 1959. Poulenc wrote the opera for Denise Duval, the French soprano, and the premiere was conducted by Georges Prêtre.

Other sopranos who have sung the role include Karan Armstrong, Dame Josephine Barstow, June Card, Dame Gwyneth Jones, Dame Felicity Lott, Catherine Malfitano, Audra McDonald, Julia Migenes, Maralin Niska, Jessye Norman, Magda Olivero, Gerlinde Sämann, Renata Scotto, Anja Silja, Elisabeth Söderström, Phyllis Treigle, and Galina Vishnevskaya.

Synopsis: A young woman has been interrupted during a telephone call from her lover of five years. He has abandoned her and is to marry another woman the following day. This is the last time they will speak to each other. During the conversation, we learn that the woman has attempted suicide. The 'phone service in Paris being notoriously poor during that era, they are interrupted several times during the agonizing conversation.

 

 

Meyerbeer. Les Huguenots. Joan Sutherland. Martina Arroyo. Janet Coster. Kiri Te Kanawa. Arleen Auger. Bonynge. 1969.. Los que desean leer algo mas sobre esta obra ir AQUI

 

Schubert. Lieder. Renee Fleming. Eschenbach. PARTE 1, PARTE 2

 

Donizetti. L´Elisir d´amore. Mirella Freni. Mario Basiola. Sesto Bruscantini. Renzo Casellato. Password: Le philter (si no responde probar con le filter o Le filter). PARTE 1, PARTE 2, PARTE 3, PARTE 4, PARTE 5

 

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