Director: Ferdinando Previtali
- Tito Gobbi (Rigoletto)
- Fernanda Cadoni (Maddalena)
- Lina Pagliughi (Gilda)
- Giacomo Lauri-Volpi (Duque)
- Carlo Platania (Monterone)Archivos para descarga:
Pari siamo – Gobbi
Figlia! – Gobbi, Pagliughi
E il sol dell’anima – Lauri-Volpi
Parmi veder le lagrime – Lauri-Volpi
Scorrendo uniti – Chorus
Cortigiani – Gobbi, Pagliughi
Tutte le feste al tempio – Pagliughi
La donna e mobile – Lauri-Volpi
Bella figlia della amore – Lauri-Volpi, Pagliughi , Gobbi
V’ho ingannato – Lassù… in cielo – Gobbi, Pagliughi
Lina Pagliughi was born in Brooklyn, New York, to Italian immigrants. Her parents took her to live in San Francisco when still a child and she displayed a love of singing at an early age. She was noticed by the legendary soprano Luisa Tetrazzini who sensed her potential and encouraged her to study toward an operatic career.
At the age of 15, Pagliughi moved to Italy with her family and she took voice lessons from the conductor/pedagogue Gaetano Bavagnoli in Milan. She made her debut in 1927, at Milan’s Teatro Communale, as Gilda in Rigoletto. Her success was such that she was immediately engaged to sing the part in a complete recording of the opera, with the baritone Luigi Piazza and the tenor Tino Folgar performing the leading male roles.
Pagliughi’s fame spread throughout Italy and she was invited to sing at all the major opera centres, including Turin, Parma, Venice, Florence, Rome and Naples. Critics acclaimed her as the successor of Toti dal Monte (1893-1975) in the Rossini-Donizetti-Bellini repertory, in which her sweetly limpid voice, agile technique and expressive phrasing were shown to best effect. However, apart from a successful tour of Australia in 1932 and a few performances that she gave in Monte Carlo and London during the same decade, she hardly ever sang outside Italy.
She became extremely stout as she grew older, which limited her capacity to be convincing in ‘girlish’ roles, no matter how well she sang them, and she quitted the stage in 1947; but she continued to be heard on Italian radio RAI until 1956, when she retired for good and turned to teaching with students such as the Swedish soprano Hjördis Schymberg.
During her prime, Pagliughi made fairly frequent visits to the recording studio, committing to disc her interpretations of showpiece operatic arias. She also recorded complete operas for Cetra Records, including such bel canto works as Lucia di Lammermoor (opposite Giovanni Malipiero), La fille du régiment, Un giorno di regno, Rigoletto and, perhaps most notably, La sonnambula (opposite Ferruccio Tagliavini and Cesare Siepi). Many of these recordings are available on CD re-issues.
Pagliughi was married to the tenor Primo Montanari (1895-1972). She died in Rome at the age of 73.