Verdi : Trovatore (excerpts)

Bilbao, Tratro Coliseo Albia, 1959 (Audio)

Director: Manno Wolf-Ferrari



  • Fedora Barbieri (Azucena)
  • Ettore Bastianini (Conde de Luna)
  • Franco Corelli (Manrico)
  • Margherita Roberti (Leonora)Archivos para descarga:


Aporte de Grimaldi:

1. Tacea la notte placida
2. Di tale amor
3. Il Trovator! Io fremo…..
4. Infida! Qual voce…..
5. Ved! Le fosche notturne
6. Stride la vampa
7. Condotta ell’era in ceppi
8. Strana pieta……
9. Perigliarti ancor languente
10. Il balen del suo sorriso
11. Ah sì, ben mio
12. Di quella pira

BILBAO, Teatro Coliseo Albia, 03.09.1959
Orquesta Sinfonica del Teatro del Liceu de Barcelona
Roberti was born with the name Margaret Jean Roberts to F.J. and Ethel Roberts in Wayne County, Iowa. Her father was a breeder of Angus cattle and she grew up on his farm in Atlantic, Iowa. Her family sold the farm when she was 12 and moved to Muscatine, Iowa. The following year Roberti began taking voice lessons with Herald Stark at the University of Iowa. In 1943 she graduated from Muscatine High School after which she studied voice at Hunter College. While at Hunter she met her husband Thomas Nobis, an engineer recently returning from duty in the United States Navy. The couple married in 1949 and in 1952 their daughter, the athlete Jennifer Figge, was born.

In 1948 Roberti made her professional opera debut with the Saint Louis Opera. In 1951, she began performing regularly on the Chicago radio program Chicago Theater of the Air. She would commute weekly from her home in Davenport, Iowa to the Windy City for performances.

Roberti was advised to establish herself as an opera singer in Europe if she wanted to have a major opera career in the United States. So in 1956, she moved to Italy and began a rigorous course of study in opera with Iris Adami Corradetti among other teachers. She made her European debut the following year at the Teatro Alfieri in Turin as Leonore in Giuseppe Verdi’s Il trovatore to a warm reception. It was at this time that she adopted the “italianized” version of her name that she used for the rest of her career.

After her European debut, invitations from major opera houses throughout Europe came pouring in to Roberti. In 1958 she sang Abigaille in Verdi’s Nabucco for her La Scala debut. She was a regular performer at that house for the next four seasons. In 1958 she portrayed the title role in Puccini’s Tosca for her first performance at the Royal Opera at Covent Garden. That same year she made her first appearance at the Arena di Verona Festival and made her debut at the Lyric Opera of Chicago as Amelia Grimaldi in Verdi’s Simon Boccanegra opposite Tito Gobbi in the title role and Richard Tucker as Gabriele Adorno. Other international appearances included performances in Buenos Aires, New Orleans, San Francisco, Mexico City, and Israel.

Roberti made her debut at the Metropolitan Opera in 1962 as Tosca to the Cavardossi of Franco Corelli. That same year she sang Tosca with Corelli for her debut with the Philadelphia Lyric Opera Company. Roberti also sang the title role in Verdi’s Aida in New York and Philadelphia that year. In 1963 she sang the title role in Verdi’s Luisa Miller at the Edinburgh Festival and in 1964 she portrayed Lady Macbeth in Verdi’s Macbeth at the Glyndebourne Festival. She was also a repeat performer at the Vienna State Opera during the 1960s and 1970s. She remained busy in opera houses in Italy for the rest of her career.

In 1970 Roberti was knighted by the Italian government for artistic achievement. Her final performance was a farewell concert given in the Quad Cities in 1988.